New Musical - London Premiere
Premiere of the new musical adaptation by Alex Loveless of Bram Stoker's classic 'Dracula' at The White Bear Theatre, Kennington, London Fallen Angel Theatre CompanyTues 28 Oct - Sun 23 Nov 2008
Matinees: 5pm Sunday 9th, 16th and 23rd November No performances Mondays Approximate
running time 2 hours 15 minutes including interval Tickets
Ł12 full and Ł10 concessions, Box
Office: 020 7793 9193 |
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PRESENTED BY SIMON JAMES COLLIER AND THE WHITE BEAR THEATRE A FALLEN ANGEL THEATRE COMPANY PRODUCTION BASED ON THE NOVEL BY BRAM STOKER A stunning new musical adaptation of the Gothic horror. Returning to Bram Stoker's original story, enter a world of sensual excess, shattered desire and an indefinable terror. When your love is torn from you, when freedom means death, and when your soul is a demon's prey, your only hope lies in those around you, and you must unite to fight the darkest of all foes. |
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BOOK,
MUSIC & LYRICS ALEX LOVELESS |
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Dracula - Principal Musical Numbers |
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Act 1 The Storm -
Ensemble Hospital of St. Joseph, Buda-Pesth Lucy - Seward
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Act 2 Entracte Every Waking Moment - Arthur The War Has Started - Van Helsing & Men A Kiss Can Last Forever - Dracula & Mina Reprise: The Vampire - Van Helsing The Saddest Truth of All - Jonathan Montage: The Hunt - Men Freedom - Mina Reprise: The Seduction - Vampire Women Finale / Epilogue - Dracula, Jonathan & Mina |
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FULL DETAILS, CAST LIST AND CREDITS AT |
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EXCERPTS FROM REVIEWS
"...The epic style he has
adopted works beautifully with the presentation of text through diary form, as the
original work was written; this provides a useful structure to build this interpretation
around. What is also effective, is the cinematic style of underscoring the dialogue,
coupled with a number of memorable songs (at last someone writes a tune you can remember
the following morning), giving the feeling of a sung through musical. This
device helps to unify what is, in essence, an extremely fragmented story.
"Fortunately the music is atmospheric and
delightfully melodic ... in I Am Great Atilla there is a fine number in which
Leigh Joness strong, fine-voiced Dracula recounts his descent from the conquering
Hun and A Kiss Can Last Forever is a lyrical love duet when Dracula is
ensnaring Annabel Kings Mina. Loveless is sinister without being grotesque. Though
bent-backed when first encountered at Castle Dracula, when rejuvenated she obviously finds
him much more intriguing than her husband Jonathan Harker, whom Duncan Wigman makes a very
proper and unerotic English gentleman. Joanna Hickmans Lucy is also a nice young
gal, with a brief but dangerous vicious moment when she bares her teeth in her vampire
transformation. (When not on stage she also, if Im not mistaken, swells the
orchestration playing the oboe.)
"One of the most entertaining new musicals I have seen in a
long time, superb ensemble piece, despite small space and (obviously) limited funding the
piece really draws you in and both the acting and singing is first rate. Like the way they
have focused on the 'human' element of Stoker's novel, rather than the blood and gore...
very dramatic but never once falls into the realms of camp melodrama. Couple of the songs
are memorable... would be interesting to see if anyone picks this up and develops it
further... Leigh Jones as Dracula, Oliver Hume as Van Helsing, Annabel King as Mina Murray
and Richard Warrick as Renfield are particularly memorable... Joanna Hickman as Lucy
Westenra also very good... if you like supporting new and accomplished work... and Gothic
style stories then take a look... you won't be disappointed."
"A musical version of Dracula could have gone horribly wrong, but The
Fallen Angel Theatre Company have managed to pull off an entertaining evening, in this
well produced version of the gothic classic. ... The singing is spot on throughout, ... a
well choreographed and acted piece of stage entertainment... A night of bloody good
fun."
"Sexy, aristocratic, mysterious and ultimately as tragic as
hes villainous, Count Dracula is a gift of a part for the small stage as well as the
big screen. "I didn't know what to expect from Dracula staged as a
musical at the White Bear theatre in Kennington by Loveless brothers writer/director Chris
and composer Alex... It was stunning. From the wilds of Transylvania to prim Victorian
London, the drama was darkly bloodstained and biting. Piano and cello enhanced a mesmeric
mood, with every element for a gothic fantasy glowing through: madness, lust, the fear
that immortality is worse than death itself and that love can seem the deepest abyss of
all. Songlines simmered: Love is a knife that carves your life. Faithful to Bram Stoker,
the production still managed to find twists in the story, and played grim torchlight on
undercurrents of brutality posing as medicine and morality. There's an amazing scene as
the men, outraged by the transformation of their women into vampiric seducers, form an
armed posse and thunder through the forest, the vampire as their quarry, like any group of
self-righteous fanatics witch-hunting the outsider who threatens their supremacy.
Brilliant. I'd go to see anything by Fallen Angel Theatre Company now."
Dracula Production Photography by Michael Brydon |
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Additional Dracula Musical sitesOff West End - Reviews of Dracula Musical at the White Bear What's on Stage Readers' Reviews of Dracula Musical The White Bear Theatre Kennington TICKET WEB online booking for Dracula Dracula Director - Chris Loveless - Fallen Angel Theatre Company Richard Warrick - Renfield in Dracula Dress Circle - Dracula Musical World Premiere Joanna Hickman - Lucy Westenra in Dracula What's on Stage Dracula production details Eventful - Dracula [Fallen Angel] The London Paper - White Bear Dracula location
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Historical background to the Dracula Musical
"A number of scholars have noted the theme of a 'barbarian' prince attempting to usurp British society as being an example of the invasion literature which was popular at the time. Author Kim Newman characterized Dracula as being the story of "a one-man invasion" and drew attention to Van Helsing's claim that Dracula's goal was to become "the father or furthurer of a new order of beings, whose road must lead through Death, not Life".
Map of Places mentioned in Dracula
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The Remains of the Day - Musical Alex Loveless' musical adaptation of the novel by Kazuro Ishigurodirected by Chris Loveless Kazuo Ishiguro's Booker Prize-winning novel
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